American Samoa Fashion Jewelry Collection.
By Aamir Mannan.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgShiqX6F0K7GZ2mTKl6WY9QdrtgEO-dLgmRVplkC6M4UMYOIuUpmkJ0nxcBzVzkEBWdmoygo9BmXjRY1aKQhAXVZB8i2lPw_HIgNuTj6s0UeSay8ggjJeUnabQvhi3oEHH1KDnQu515M/s1600/Fa+Mannan+American+Samoa+Fasion+Jewe;lry+gold+and+silver+stylish+jewelry+gamstone+worck+and++hand+worck+beautiful+jewelry+by+aamir+mannan+(13).jpg)
Specially tailored linen lava-lava which extend mid-calf, often with pockets and ties/buckles, are worn by men at special occasions or to church; these are always solid colors (in contrast to the bright patterns of everyday lava-lava) and are known as sulu (Fijian), ie faitaga (Samoan), or tupenu (Tongan). Similar ankle-length skirts form the lower half of the two-piece formal dress worn by Samoan and Tongan women (called puletasi and puletaha, respectively). On special occasions the Tongan tupenu and puletaha are usually associated with a tapa cloth or waist-mat called ta'ovala and some Samoans still wear a tapa cloth vala sash in similar fashion (though the vala is generally restricted to ceremonial/festive regalia of orators or people acting/dressing as taupou maidens and manaia beaus). The formal, tailored linen lava-lava styles
of Tonga, Samoa, and Fiji originated with the Fijian noble Ratu Sir Lala Sukuna who introduced the buckled sulu to Fiji in 1920 following his military service and university education in Europe.
Loudly colored lava-lava made from materials such as satin, velvet, polyester, and sequins have recently been popularized among performance dance groups and village, church, or school-based choirs.
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